The Parks

Carousel of Progress is dark. Before the doors closed for its major reimagining, superfans got in one last walkaround, camera-close footage of the theater that’s been spinning guests through Walt’s vision of American progress for decades. That footage is now the closest thing fans have to a farewell tour, because whatever comes back won’t be what just left.

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A few hundred feet away in Frontierland, Piston Peak National Park keeps clawing its way out of the dirt. The utilities crews have moved past staging pipe and into actually burying it, and the land shaping near Haunted Mansion has gotten serious. The retaining wall is the tell here. Its most prominent stretch now runs in front of the footprint where Liberty Square once extended, which tells you this project is a site-wide reshaping of a corner of Magic Kingdom that hasn’t changed meaningfully in a very long time rather than a modest reskin.

And speaking of that corner: Disney has filed a Notice of Commencement for general construction at Liberty Tree Tavern. Table-service restaurant, quiet filing, but paperwork like this in the middle of a Frontierland overhaul and a Carousel closure is a pattern instead of background noise. Liberty Square is getting worked on from multiple directions at once.

Meanwhile, actual crowd behavior is telling a more nuanced story than the “summer collapsed” headlines suggest. Posted waits at Walt Disney World are down roughly 3% year over year when you compare identical attractions hour for hour, not the dramatic 30% some corners of the internet have floated. Three of the four parks are within five points of last year. Animal Kingdom is the outlier, sagging double digits. On the ground, that produced strange results, like Magic Kingdom outright winning a Tuesday in July, at a 6 out of 10 crowd level with a 17.7 minute median wait, beating Hollywood Studios for the day’s top spot. That’s a reversal of the usual pecking order, and reversals like that matter more than the raw numbers because they mean the old rules for touring plans are bending.

Over at Epic Universe, Universal debuted its new nighttime spectacular, Celestial Goodnight, a 10-minute show that’s already drawing tip sheets on where to stand and when to arrive. Ten minutes is short for a modern nighttime show, which makes positioning and timing more important, not less.

The Shows

Grogu is getting a successor. Following a Mandalorian & Grogu theatrical run that underperformed and didn’t win over longtime fans or critics, Lucasfilm has revealed the character meant to take his place as the franchise’s next mascot, with an official debut targeted for 2027. That’s a notable admission for a property that spent years riding one character’s merchandising wave. When a mascot that popular gets replaced, it is because the numbers said so rather than the fans.

Universal’s Celestial Goodnight deserves a second mention here because it’s a competitive detail as well as a park detail. Epic Universe launching original nighttime entertainment this fast into its life is a direct signal to Disney that the nighttime spectacular arms race isn’t cooling off.

The Business

The leadership transition at Walt Disney World is no longer theoretical. Joe Schott, currently President of Disney Signature Experiences, takes over as President of Walt Disney World Resort next month, replacing Jeff Vahle. Four months into the broader shakeup at the Experiences segment, this is the change that actually touches the parks day to day. New presidents set tone, priorities, and budget fights. Everything from Piston Peak’s pace to the next round of dining announcements runs through whoever holds this job.

Disney Cruise Line is staffing up for its future with people instead of ships or itineraries. Disney Auditions put out a fresh casting call for character performers and character look-alikes across the fleet, with an online submission window open through July 20th. Selected applicants hear back directly from Talent Casting. It’s a small item on paper, but the character program is core to the cruise product, and a fleet that keeps growing needs a deeper bench of Mickeys and princesses to match.

Disneyland just crossed a milestone that’s less about business strategy and more about the sheer scale the company has built: the resort welcomed its honorary one billionth guest, timed to land during its 70th Celebration and on the eve of America’s 250th anniversary. Numbers like that don’t move stock prices, but they anchor decades of marketing copy, and expect this one to show up everywhere from park signage to keynote slides for years.

Applications for the 2027 planDisney panel open at noon EST on Friday, July 10, and close July 15. It’s a short window for what’s become a genuinely competitive unpaid gig, proof that Disney’s superfan pipeline remains one of its most reliable, cost-free marketing engines.

The Details

A new Big Thunder Mountain Little Golden Book has rolled into bookstores, continuing a run of attraction-inspired titles that’s included Jungle Cruise, Orange Bird, and The Little Man of Disneyland. It’s a small product line, but it’s a steady one, and it says something that Disney keeps mining ride lore for children’s book material rather than just merchandise.

Hong Kong Disneyland has dropped a souvenir tied to Castle of Magical Dreams that’s got collectors overseas losing their minds, the kind of item that reliably outshines whatever’s on shelves stateside. International parks keep winning the merchandise arms race with popcorn buckets and now this.

Morimoto Asia in Disney Springs added a Kakigōri Kool cart, bringing Japanese shaved ice to The Landing near Gideon’s Bakehouse and Raglan Road. It’s now the only shaved ice option at Disney Springs, which in July heat is a bigger deal than it sounds.

The Walt Disney Archives is using America’s 250th anniversary as an excuse to pull rarely seen artifacts that trace how Disney storytelling has intertwined with American history, a reminder that the company’s archival arm does some of its best work when it has a milestone to hang a narrative on.

And for the history nerds: this week in 1988, Maelstrom opened at Epcot. This week in 2006, Pirates of the Caribbean: Dead Man’s Chest hit theaters, now twenty years old. Small anniversaries, but they’re the connective tissue that makes this whole hobby feel like a continuous story instead of a news feed.

Sources

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By Lightning Brain

Designed, trained, and directed by humans. Produced by Lightning Brain's AI. Click here to learn how we make this.

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